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Dragon Ball Z: Super Android 13! crew : Akira Toriyama, Daisuke Nishio, Gen Fukunaga, Shunsuke Kikuchi, Takao Koyama, Toshiharu Takei
Dragon Ball Z: Super Android 13! release date : 1 March 19 4 9
Dragon Ball Z: Super Android 13! runtime : 46 Minutes
Dragon Ball Z: Super Android 13! Crew : Akira Toriyama, Daisuke Nishio, Gen Fukunaga, Shunsuke Kikuchi, Takao Koyama, Toshiharu Takei
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Uncle Frank release date : 16 November 19 3 5
Uncle Frank runtime : 95 Minutes
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The Suicide Squad crew : Charles Roven, John Murphy, Judianna Makovsky, James Gunn, James Gunn, Henry Braham, Walter Hamada, Peter Safran, Fred Raskin, Richard Suckle
The Suicide Squad release date : 26 January 19 1 4
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Title : Unhinged
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Unhinged crew : Michael McCusker, Mary Vernieu, Steven Mirkovich, Sharon Smith Holley, Lisa Ellzey, Denise Wingate, Freddy Waff, Freddy Waff, Brendan Galvin, Carl Ellsworth
Unhinged release date : 12 May 19 4 5
Unhinged runtime : 90 Minutes
Unhinged Crew : Michael McCusker, Mary Vernieu, Steven Mirkovich, Sharon Smith Holley, Lisa Ellzey, Denise Wingate, Freddy Waff, Freddy Waff, Brendan Galvin, Carl Ellsworth
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A divorced mother honks impatiently at a deranged middle-aged stranger at a red light while running late on her way to work. His road rage escalates to horrifyingly psychotic proportions as he becomes single-mindedly determined to teach her a deadly lesson for provoking him. Unhinged 2020 review : Russell Crowe stars in the new Thriller “Unhinged” and gives an intense performance which has become a staple of his career. Playing a man who has lost it after the loss of his job and marriage, The Man kills his ex and her partner before burning down their home and vanishing into the night.

Rachel (Caren Pistorius) is a woman who is seeing her world slowly crumble around her. She is in the midst of a contentious divorce, has just lost her best client, and is struggling to take care of her son while dealing with her brother in financing moving in with her so she can afford to pay for a needed care home for a family member.

As one thing after another mounts for Rachel and dealing with heavy traffic as she tries to get her son to school to avoid a detention for being tardy; she honks and makes and aggressive turn in front of the Man. He takes offense to this and drives alongside Rachel and demands a since apology for her actions. Rachel has long since lost any sense of caring and does not provide a sufficient response which further triggers the Man.

As some very aggressive road rage follows; Rachel believes she has put it behind her and drops her son off at his school. While filling up her gas tank Rachel sees that the Man is following her and when her efforts to diffuse the situation further trigger the Man she sees just how dangerous and highly unstable individual he is.

What follows is a deadly game of cat and mouse as the Man taunts Rachel while exacting his revenge on those in her life all the while preparing for his next encounter with her.

Crowe is fantastic and gives a very intense performance without ever going too far over the top and becoming campy with his performance which is often the case in films of this type. He is a compelling adversary who commands the attention of the viewer and one can see that he is an individual who has simply snapped from the pressures and reality of life and believes his actions are justified.

While I was able to predict one of the big moments near the end of the film; it was delivered In a slightly different way which was refreshing. The film was intense and compelling and Director Derrick Borte keeps things from become too over the top especially in the last part of the film where Hollywood standards for the genre did tend to come in the play.

The film wisely relies on the strength of Crowe and the supporting performances and provides a welcome return to cinematic features for viewers as long as they are willing to overlook some minor things and focus on the intense story and compelling performances.

4 stars out of 5
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Russell Crowe dials up his inner Rutger Hauer ("The Hitcher) and Michael Douglas ("Falling Down") to reap terror on a boy and his mom who don't give him a courtesy honk. Skip this "meh" road rage thriller and check out the aforementioned titles instead.
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Boasting a ferociously captivating Russell Crowe as an absolutely lunatic driver, Derrick Borte delivers a purposefully exaggerated premise based on something that occurs every day to pretty much everyone. The rated-R action is surprising in its amount of gore and unrestraint in murdering every character in the most shocking yet incredibly entertaining fashion.

However, Carl Ellsworth's screenplay lacks character depth, leaving the viewer with barely any knowledge of anything remotely relevant about the protagonists besides basic relationships, which are merely used as plot devices to more bloody killing. The narrative goes through hard-to-believe developments, and the ending still possesses the cliche "dumb protagonist's decision that no sane person would ever think about".

Still, I defend that its main narrative is closer to reality than fiction, especially the first two acts. In the end, my main issue might actually be that Caren Pistorius' character was indeed guilty of the event that propelled everything. She demonstrated arrogance, selfishness, and the inability to simply apologize to someone who was initially polite. That, to me, it's her biggest sin and the reason why I couldn't care less about what happened to her or her family.

Rating: B-

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Title : Alita: Battle Angel
Alita: Battle Angel genre : Action, Science Fiction, Adventure
Alita: Battle Angel crew : Robert Rodriguez, Robert Rodriguez, Stephen E. Rivkin, David Valdes, Mary Vernieu, James Cameron, James Cameron, Bill Pope, Jon Landau, William Ladd Skinner
Alita: Battle Angel release date : 27 February 19 5 1
Alita: Battle Angel runtime : 122 Minutes
Alita: Battle Angel Crew : Robert Rodriguez, Robert Rodriguez, Stephen E. Rivkin, David Valdes, Mary Vernieu, James Cameron, James Cameron, Bill Pope, Jon Landau, William Ladd Skinner
Alita: Battle Angel cast :
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When Alita awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido, a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. Alita: Battle Angel 2019 review : James Cameron has spent more than a decade trying to bring Alita: Battle Angel to the big screen. Based on a popular cyberpunk manga series by Yukito Kishiro, published between 1990-1995, he has spent that time refining the script and developing the world that Alita inhabits. And that’s pretty much what he now spends most of his time taking care of with the Avatar movies and the world of Pandora. Hence the reason why he eventually decided to step back into producer duties for this movie, letting Robert Rodriguez pick up the directing reins in order to finally get it finished. Rodriguez uses much of the script that Cameron wrote, but brings a little bit of his trademark style to the table too.

It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.


Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.


A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.

Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.

I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
I quite enjoyed this movie. Of course it was a good start that it was directed by Robert Rodriguez. It is perhaps a bit of a young adult movie but that did not stop this old fart from enjoying it.

I guess most people know the basic premise of the movie. It is based on a Japanese cyberpunk manga. Alita, a cyborg, is found by Dr. Ido. She is reawakened, given a new body (two actually), she is much more than she seems and … she kicks ass.

The movie plays out in a somewhat post apocalyptic world although it is not as dark and depressing as many post apocalyptic scenarios. It is actually quite colorful and sometimes both funny and cool. A lot of people, if not most of them, in this world are cybernetically enhanced. Alita herself is a “full body conversion”. It is a quite detailed world full of pretty cool cyberpunk gadgets.

The various cyborgs themselves are of course the “main feature” of the movie. They range in a wide variety from fairly human-like to cyborg tanks. Most of them wielding various kinds of bladed weapons. Of course the CGI and the various action scenes are top notch. Alita is really cool when she gets going with her ass-kicking.

Story? Well it is manga of course so it is pretty simple but having said that it’s not bad at all. I definitely feel there is some elements from Rollerball in the no rules racing and ball chasing games which is a centerpiece of the story.

One thing that I liked immensely is that there is really no preaching in this movie. No green nonsense and no social crap. Maybe that’s because it’s based on a Japanese manga and the Japanese has not yet developed the easily offended SJW mob that plagues all too many western countries nowadays. I know there’s a bunch of SJW retards that manages to cram some feminist message into it and another bunch that claims Alita is too pretty. Well if you like cyborgs with eyes like golf balls maybe but these asshats should perhaps stop their ranting and take a serious look at their sexual preferences in that case.

The only thing that I was not too happy about was that there is no real ending to it and what is there is rather sad. This Nova guy pulling the strings up in Zalem, the cloud city, is never even touched and the ending scenes just shows him smiling like a huge cliffhanger. I guess I should not be surprised because him and his cloud city is the foundation of this manga world so for the story to continue in a possible sequel that had to be kept but still … it irked me somewhat.
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I’m writing this review one day after the Oscars night, and I can guarantee at least one thing: Alita: Battle Angel is getting a Best Visual Effects nomination and it’s probably going to win. Calling it now. There are no words that can describe how immersive, realistic and groundbreaking the IMAX 3D experience is. Weta Digital is undoubtedly the most incredible VFX/CGI company since the beginning of this millennium. From the Lord of the Rings trilogy to the Avatar movie(s) and through the most famous TV series of this time, Game of Thrones, Peter Jackson‘s company keeps surpassing the impossible.

Alita is a mix of Rosa Salazar‘s motion-capture performance and CGI animation, and it’s the most beautiful thing I’ve seen in a long time. Visuals are not the most important aspect of a film, they’re not even the key technical feature. The story and characters are and always will be the necessary ingredients for a movie’s success. That said, I’m also the first to defend that without remarkable technical achievements, a film won’t ever go above “very good.” If you want a movie to be one of the best of the year, a combination of compelling story/characters and great filmmaking attributes is essential. Robert Rodriguez‘s film nails the latter requirement, but has a lot of hits and misses regarding the former.

Like I wrote above, I have no vocabulary to describe how mind-blowing and eyegasmic this movie looks. If you’re intrigued by how fascinated I am, you know what to do: buy an IMAX ticket and watch it. The visuals alone compensate for the price of admission. Besides the jaw-dropping VFX, the sound and production design are unbelievable. I could feel every punch, kick or scream like I rarely feel with other high-budget films. The amount of work that went in to build this world is worthy of recognition, and I honestly hope that by the end of this year, Alita is receiving a whole bunch of nominations for its aesthetics.

I love how anime-like this feels. I didn’t read the original manga, but you will like this movie more if you’re a fan of anime. Rodriguez does a seamless job bringing Iron City to life, and there are tons of nods to how anime stories flow, which will surely please fans of said genre. Sadly, the screenplay isn’t exactly written as it should be. One of the most emotive moments of the film trusts the audience to buy into the romance displayed on-screen, but since it feels very forced from the get-go, this unnecessary subplot carries too much influence on the end result.

In addition to this, James Cameron and his team took a quite questionable decision concerning the main plot, having in mind the marketing surrounding this blockbuster. It’s still a minor spoiler, so I can’t really delve into details, but I’ll write this: the closest the movie gets to its third act, the more worried I became. From the moment the second acts ends, I start realizing something that not a single person working on this film even hinted at. And that was the worst call they could have ever made. Not only it dragged the first half of the movie, but it deeply damaged its narrative.

Once you see this film, you’ll understand what I’m talking about. You’ll get me when I say that the marketing strategy for Alita: Battle Angel ruined its story and it will definitely make a lot of people leave the theater frustrated, just like I did. Hopefully, this was just a misstep that doesn’t affect its box office because this is a movie worthy of watching at a movie theater and ONLY at such place. Yes, it does have issues with its storytelling. It has a whole world that doesn’t fit in just a 2-hour flick, so the plot becomes convoluted and a bit slow. However, I do think critics are being too harsh …

Alita is one of the most complex, intriguing and well-written characters of the last few years. While the screenplay contains fundamental writing flaws, its main protagonist is flawless. Despite still feeling a bit frustrated, I want to rewatch this movie so bad, just to get another opportunity to follow Alita throughout her journey. I love character-driven narratives, especially when the character in question is such a compelling one. Rosa Salazar delivers an amazing mo-cap performance (The Academy wants a new category? Well, Best Motion-Capture Performance suits your ceremony like a glove). Alita and Salazar share resemblances that can only be achieved with the unique camera-setup and technology that the production team had at their display, which is something pretty outstanding.

Christoph Waltz brilliantly portrays Ido, as expected from such a high-caliber actor. Mahershala Ali (Vector) and Jennifer Connelly (Chiren) are underused, but they make their characters work for the story. Keean Johnson is fine as Hugo, but he’s connected to one of the film’s major issues. Everyone else is pretty great, each performance elevates their respective character, which helps move the plot forward. However, it all goes back to Salazar‘s remarkable performance and the way she and Alita carried the whole thing to safe harbor. Hollywood, put your eyes on this girl!

Finally, the action. Oh my God! The action scenes are some of the most entertaining, riveting and thrilling sequences I’ve seen since Mission: Impossible - Fallout. While the latter based its action on real jaw-dropping stunts, Alita: Battle Angel probably delivers some of the best animated action ever. The motorball sequences are impossible of getting your eyes off-screen, and the fights that Alita goes through are so well-crafted. Honestly, I’m even scared of how these look in regular 2D. I doubt they feel seamless and flow as perfect as they do in IMAX 3D, so be careful with which choice you make. In my opinion …

Alita: Battle Angel is one of those movies that you HAVE TO watch at a movie theater, especially on IMAX 3D. You will not be able to grasp or feel the astonishingly immersive world that James Cameron produced, nor the powerful sound design. Its visuals effects are groundbreaking, and I promise you’ve never seen such a mixture of real and animation like this. Beautiful or gorgeous are not adjectives enough to describe the world where Alita lives. It’s a visual experience, so do waste your time and money in supporting this film.

I can’t deny neither its storytelling problems or the damaging marketing surrounding this blockbuster. However, Rosa Salazar‘s terrific performance and Alita as the protagonist are more than enough reasons to make you feel entertained and captivated until the very end. The action is mind-blowing, and I’m not lying when I state that it contains some of the best animated sequences ever. I left the theater frustrated, but I can’t wait to see it again on the big screen. Alita alone deserves that effort.

Rating: B+
I did enjoy _Alita_. It was a great big "pkyew-pkyew" sort of a mess, but I did still walk away having had a pretty good time.

Unfortunately, both Alita(the character)'s romantic interest and _Alita_(the movie)'s romantic plotline I despised. And this aspect took up **so much** on screen realestate that I could never see my way to giving _Alita_ a glowing score, even if everything else about it had been perfect (it wasn't).

An interesting part of the flim though that I also need to touch on is the special effects. They aren't even close to photorealism, but it honestly still totally works, just because there are so many of them. Impressive is the most appropriate word that comes to mind. See, even if the CGI effects don't always sell themselves as reality, the world that they are in fits, it's like how an animated movie doesn't look like real life, but you're still convinced because against its own backdrop, even though maybe they didn't use an actual elephant to play the role of Dumbo, you still believe that he's a real character **in that world**. _Alita's_ sheer abundance of creative, setting driven CGI, blurs the lines between live action and animation, delivering a totally new, unique product.

It's just a shame they couldn't have done that in a better, more coheseive (and less bogged down) narrative.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Definitely a Robert Rodriguez movie, but a Robert Rodriguez movie made with that James Cameron money.

The world building was incredible. Rosa Salazar, Christophe Waltz, and the rest of the cast do a great job. The technical wizardry, not just with the visual effects but the use of 3-D and IMAX was nothing short of dazzling. The action is exhilarating. I'll also take Motorball over podracing or Quidditch any day.

Yes there are problems with the script because James Cameron has never been a strong writer. There is also way too much sequel baiting for my taste. But for a movie like this to come out in a time when all the profitable IPs are getting tedious, Alita Battle Angel was refreshing and tons of fun. Easily the best live action anime film adaptation to date and a kick ass sensory overload.

James Cameron, I would rather you devote time to make more Battle Angel and less Avatar.
**Alita: Battle Angel** is an awesome movie. It has great action, an interesting plot, lovable characters, amazing acting by Rosa Salazar and overall it's a wonderful and fun film. It includes some of the best CGI ever created in film. Without a doubt, it is the best manga/anime adaption by Hollywood. I highly recommend this movie. Definitely 10 out of 10.
I'm truly disappointed by critics. I just don't understand their philosophy about entertainment. This movie was a marvelous! Without knowing the source material and quizlet live, it made me interested in this world. I can't wait for the next chapter.
**One not too terrible spoiler** This movie was full of potential. The beginning of the movie was fantastic, full of amazing James Cameronesque world building and attention to detail. Where the movie starts to go down hill is more of a suprise hole in the side walk that this movie fell down, because you don't see it coming. Up to and including the bar fight, the movie was amazing. RIGHT afterward the B team entered the cutting room floor, characters started doing things that went against their motivation, and honestly the least bit of work would have solved that, but none was put forward. It was like that for the entire last half of the movie. I DO hope there is a sequel, I would like to see that. I think it would be better.

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Maleficent release date : 14 February 19 6 6
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A beautiful, pure-hearted young woman, Maleficent has an idyllic life growing up in a peaceable forest kingdom, until one day when an invading army threatens the harmony of the land. Maleficent rises to be the land's fiercest protector, but she ultimately suffers a ruthless betrayal – an act that begins to turn her heart into stone. Bent on revenge, Maleficent faces an epic battle with the invading King's successor and, as a result, places a curse upon his newborn infant Aurora. As the child grows, Maleficent realizes that Aurora holds the key to peace in the kingdom – and to Maleficent's true happiness as well. Maleficent 2014 review : Nice re-interpretation of the sleeping beauty children's tale. Angelina Jolie has some really good moments in which a simple smile from her can make you shit your pants, although the interpretation is, in some parts, irregular. Elle Fanning is not a good option as "the Beauty" in the same way Kristen Stewart wasn't for Snow White. Angelina eats completely her role as Charlize Theron eat Stewart's. Sharito Copley has a great performance, as always, and the FX are really decent.
When I first read about this movie I was not entirely sure whether I liked the idea or not. After having watched it I have to say that I really liked it. It is a nice fairy tale based on the Sleeping Beauty but from the perspective of the evil fairy (who is not really that evil actually) instead. As far as I am concerned the concept worked surprisingly well.

Obviously the story is highly rewritten compared to the original Sleeping Beauty story. Whether that is good or bad is probably a matter of personal opinion. I think it is good since it allowed to story in the movie to have its own merits and not be too dependent on the original. It works for me since the original story is not very present except and thus you do not get any annoyed every so often because the deviate from the “original” since the movie clearly demonstrated that it intended to be quite different from the start.

The movie is quite beautiful with a typical fairy-tale air to it and at the same time dark and ominous during the scenes that required it. There are plenty of CGI of course and, to me, it was all quite well done. Angeline Jolie did a good job as Maleficent. I was actually less impressed by the three fairies that were supposed to take care of the princess though. They tried to be funny but it never really became very funny.

On the whole I found this to be a very enjoyable movie. So did the kids by the way. When I watched it (with the kids) the kids had already watched it twice.
Today, June 4, I went to see Maleficent on the birthday of its star, Angelina Jolie. In itself, nothing more than a funny coincidence, although when you think about it, it is customary for someone who is celebrating their birthday, to hand out treats. And boy, this was the best treat ever.

Three reasons why I was completely stoked to see Maleficent after hearing about it for the first time about a year and a half ago: 1) I love Angelina. 2) I love Sleeping Beauty. 3) Maleficent is my favourite fairy tale villain of all time. On the other hand, I was also a little wary of the way they had apparently altered the story. See, if there is one thing I hate in films, it's when they explain and justify the motives and reasons why a certain character is "bad". I for one believe that some people are just plain evil and that's the way it is. And going into this persons' childhood and explaining how bad everything was (or something to that effect) only works to weaken that characters' force. Now, I don't know why a somewhat clichéd story about the love and betrayal of a young Maleficent (who apparently used to be good and pure-hearted), worked here, but somehow it just did. It completely surprised me, to be honest. I'm usually allergic to this kind of fluff, but it worked! Maleficents' back-story actually intrigued me, moved me even. And it succeeded at what it was supposed to do in the first place: it made Maleficent human.

In the end though, they could have written any kind of story about what is undoubtedly Disney's most beloved villainess, it never would have been raised to an above-par level without its most crucial element: Angelina Jolie. I might sound biased because I'm such a fan, but I am perfectly able to look at her performances in a critical way, and I can only say this about her performance as Maleficent: she was in one word, perfect. I honestly can't imagine any other actress who could have approached this role with the same flawless combination of properties (short of maybe Charlize Theron): she is beautiful and very charismatic, yet at the same time undeniably cruel and cold. She was everything I had hoped this real life characterization of Maleficent would be, and then some.

Compliments also go out to the three other main actors in this film. First to Elle Fanning, for being very convincing as the young princess Aurora. She is sweet, lovely and kind and she has the right personality to play this famous princess just the way she should be. Second, to Sam Riley, who was a pleasant surprise as Maleficents' pet raven Diaval in human form. I was thus far unfamiliar with his work, but he was very well suited to his role and I enjoyed watching him. Last, but certainly not least, Sharlto Copley, who has already thrilled me with his performances in District 9 and Elysium, and who has now definitely made a fan out of me. His range is awesome and he was totally terrifying as Stefan.

OK, there are some things you have to look past. My first, and most blatant, issue with this film is: if young Maleficent was a good, pure- hearted girl, then why did she, as an innocent 10-year-old, already have evil-looking horns, devilish wings and is she called "Maleficent"? Right… Secondly, I found the three pixies to be very unconvincing and even somewhat annoying CGI-wise. Overall the special effects are well done but the pixies were definitely an eyesore. The dragon in the end also looked a bit unreal.

That being said, Maleficents' costumes and make-up were absolutely stunning. I just couldn't get enough of gazing at her intricate headdresses and beautiful gowns. The costume and styling department really deserve top credit and I truly hope there will be some awards for them in the near future. The music was also great, with flawless scoring by James Newton Howard and a terrific rendition of "Once upon a dream" by Lana Del Rey over the end credits. Also, awesome battle scenes and action sequences galore!

Going into this film, I thought it would be nothing more than a so-so, kind of fun summer flick. A 6.5/7 maybe. Sometimes, I love it when I'm wrong. Out of the three films that I've seen at the cinema over the last week (the other two being X-Men and Godzilla, both disappointments…) I can tell you, Maleficent was by far the most gratifying. Perhaps because I had relatively low expectations, perhaps because it was simply that good.

One serious warning for the rough, rugged men out there: this film features pixies, fairies, sparkly thingies and magical fluff out the wazoo. If you're going to see this, do it for Angelina. If not, treat this film like kryptonite. You will thank me later.

To everyone else: go see this film. It will rock your socks off. Maleficent is magnificent.
_(June 2014)_
Good watch, would watch again, and can recommend.

I'm not a big Angelina Jolie ("Lara Croft: Tomb Raider") fan, but she definitely nailed the part, and I felt for her when those things happened, so I'm definitely not going to say she's not a good actor.

Elle Fanning ("The Great") is great, mostly an annoyingly happy little thing while she's awake, alongside wonderful supporting cast and gorgeous (and sometimes goofy) CG animated creatures.

Disney definitely poured money into this to make it look great. They also spent quite the effort to revitalize the story. After rewatching "Sleeping Beauty" and some other variations (I did fail to reread the original story), I am definitely a fan of the direction they took. The original story was just so weak and empty, and this does one of my favorite things and humanizes a villain into an adversery into of an evil monster.

I'm not a fan of how or why the 3 faeries get involved, but it makes some sense. And I'm very happy with how they handled the resolution of the curse.

They created this awesome world which adds to the movie in a very special way.
Not as dark or deep as I was expecting/wanting, but it is cool to see a different telling of 'Sleeping Beauty'.

Angelina Jolie fits as the titular character, bringing with her a good performance. Elle Fanning (Aurora), Sharlto Copley (Stefan) and Sam Riley (Diaval) play their respective roles well enough, but neither come close to matching Jolie - as you'd probably expect.

I found the special effects a bit iffy. It's not that it looks anything close to bad, I just thought it could've looked better. The score isn't all that memorable, either. I did enjoy how the plot unfolds though, mainly thanks to the lead admittedly.

Intrigued to see what the sequel to 'Maleficent' has to offer.

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Title : Star Wars: Episode I - The Phantom Menace
Star Wars: Episode I - The Phantom Menace genre : Adventure, Action, Science Fiction
Star Wars: Episode I - The Phantom Menace crew : George Lucas, George Lucas, George Lucas, Rick McCallum, John Williams, Ben Burtt, Ben Burtt, Gary Rydstrom, Dennis Muren, Tom Johnson
Star Wars: Episode I - The Phantom Menace release date : 2 October 19 6 7
Star Wars: Episode I - The Phantom Menace runtime : 136 Minutes
Star Wars: Episode I - The Phantom Menace Crew : George Lucas, George Lucas, George Lucas, Rick McCallum, John Williams, Ben Burtt, Ben Burtt, Gary Rydstrom, Dennis Muren, Tom Johnson
Star Wars: Episode I - The Phantom Menace cast :
Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Pernilla August, Oliver Ford Davies, Hugh Quarshie, Ahmed Best, Anthony Daniels
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Anakin Skywalker, a young slave strong with the Force, is discovered on Tatooine. Meanwhile, the evil Sith have returned, enacting their plot for revenge against the Jedi. Star Wars: Episode I - The Phantom Menace 1999 review : If it were the first "Star Wars" movie, "The Phantom Menace" would be hailed as a visionary breakthrough. But this is the fourth movie of the famous series, and we think we know the territory; many of the early reviews have been blase, paying lip service to the visuals and wondering why the characters aren't better developed. How quickly do we grow accustomed to wonders. I am reminded of the Isaac Asimov story "Nightfall," about the planet where the stars were visible only once in a thousand years. So awesome was the sight that it drove men mad. We who can see the stars every night glance up casually at the cosmos and then quickly down again, searching for a Dairy Queen.

"Star Wars: Episode I--The Phantom Menace," to cite its full title, is an astonishing achievement in imaginative filmmaking. If some of the characters are less than compelling, perhaps that's inevitable: This is the first story in the chronology and has to set up characters who (we already know) will become more interesting with the passage of time. Here we first see Obi-Wan Kenobi, Anakin Skywalker, Yoda and R2-D2 and C-3PO. Anakin is only a fresh-faced kid in Episode I; in IV, V and VI, he has become Darth Vader.

At the risk of offending devotees of the Force, I will say that the stories of the "Star Wars" movies have always been space operas, and that the importance of the movies comes from their energy, their sense of fun, their colorful inventions and their state-of-the-art special effects. I do not attend with the hope of gaining insights into human behavior. Unlike many movies, these are made to be looked at more than listened to, and George Lucas and his collaborators have filled "The Phantom Menace" with wonderful visuals.

There are new places here--new kinds of places. Consider the underwater cities, floating in their transparent membranes. The Senate chamber, a vast sphere with senators arrayed along the inside walls, and speakers floating on pods in the center. And other places: the cityscape with the waterfall that has a dizzying descent through space. And the other cities: one city Venetian, with canals, another looking like a hothouse version of imperial Rome, and a third that seems to have grown out of desert sands.

Set against awesome backdrops, the characters in "The Phantom Menace" inhabit a plot that is little more complex than the stories I grew up on in science-fiction magazines. The whole series sometimes feel like a cover from Thrilling Wonder Stories, come to life. The dialogue is pretty flat and straightforward, although seasoned with a little quasi-classical formality, as if the characters had read but not retained "Julius Caesar." I wish the "Star Wars" characters spoke with more elegance and wit (as Gore Vidal's Greeks and Romans do), but dialogue isn't the point, anyway: These movies are about new things to look at.

The plot details (of embargoes and blockades) tend to diminish the size of the movie's universe--to shrink it to the scale of a 19th century trade dispute. The stars themselves are little more than pinpoints on a black curtain, and "Star Wars" has not drawn inspiration from the color photographs being captured by the Hubble Telescope. The series is essentially human mythology, set in space, but not occupying it. If Stanley Kubrick gave us man humbled by the universe, Lucas gives us the universe domesticated by man. His aliens are really just humans in odd skins. For "The Phantom Menace," he introduces Jar Jar Binks, a fully realized computer-animated alien character whose physical movements seem based on afterthoughts. And Jabba the Hutt (who presides over the Podrace) has always seemed positively Dickensian to me.

Yet within the rules he has established, Lucas tells a good story. The key development in "Phantom" is the first meeting between the Jedi Knight Qui-Gon Jinn (Liam Neeson) and the young Anakin Skywalker (Jake Lloyd)--who is, the Jedi immediately senses, fated for great things. Qui-Gon meets Anakin in a store where he's seeking replacement parts for his crippled ship. Qui-Gon soon finds himself backing the young slave in a high-speed Podrace--betting his ship itself against the cost of the replacement parts. The race is one of the film's high points, as the entrants zoom between high cliff walls in a refinement of a similar race through metal canyons on a spaceship in "Star Wars." Why is Qui-Gon so confident that Anakin can win? Because he senses an unusual concentration of the Force--and perhaps because, like John the Baptist, he instinctively recognizes the one whose way he is destined to prepare. The film's shakiness on the psychological level is evident, however, in the scene where young Anakin is told he must leave his mother (Pernilla August) and follow this tall Jedi stranger. Their mutual resignation to the parting seems awfully restrained. I expected a tearful scene of parting between mother and child, but the best we get is when Anakin asks if his mother can come along, and she replies, "Son, my place is here." As a slave? The discovery and testing of Anakin supplies the film's most important action, but in a sense all the action is equally important, because it provides platforms for special-effects sequences. Sometimes our common sense undermines a sequence (for instance, when Jar Jar's people and the good guys fight a 'droid army, it becomes obvious that the droids are such bad fighters, they should be returned for a refund). But mostly I was happy to drink in the sights on the screen, in the same spirit that I might enjoy "Metropolis," "Forbidden Planet," "2001: A Space Odyssey," "Dark City" or "The Matrix." The difference is that Lucas' visuals are more fanciful and his film's energy level is more cheerful; he doesn't share the prevailing view that the future is a dark and lonely place.

What he does have, in abundance, is exhilaration. There is a sense of discovery in scene after scene of "The Phantom Menace," as he tries out new effects and ideas, and seamlessly integrates real characters and digital ones, real landscapes and imaginary places. We are standing at the threshold of a new age of epic cinema, I think, in which digital techniques mean that budgets will no longer limit the scope of scenes; filmmakers will be able to show us just about anything they can imagine.

As surely as Anakin Skywalker points the way into the future of "Star Wars," so does "The Phantom Menace" raise the curtain on this new freedom for filmmakers. And it's a lot of fun. The film has correctly been given the PG rating; it's suitable for younger viewers and doesn't depend on violence for its effects. As for the bad rap about the characters--hey, I've seen space operas that put their emphasis on human personalities and relationships. They're called "Star Trek" movies. Give me transparent underwater cities and vast hollow senatorial spheres any day.

3.5/4

-Rodger Ebert
Frankly, this film is terrible, and the producers were obviously banking on the original Star Wars coming back all excited, and didn't bother come up with a good story.

What's wrong? Well --

(1) The virtuous Obiwan Kenobi talks an admiring young boy to participate in a dangerous race so that he can bet on the boy and win the money he needs for his mission. Sounds like the later movie HUNGER GAMES, except that in HUNGER GAMES we're expected to despise people who bet on children's lives.

(2) The young boy befriends a teenage girl who is presumably 6 or 7 years older. Come the next movie, they're suddenly the same age so that they can have a love affair. Are they of different species that age at different rates, or did the writers simply not plan ahead?

(3) The boy's mother tells Obiwan that she gave birth to the boy without having sex. Having introduced this bizarre Christological symbolism, the writers promptly forget it.

(4) And there's a character named JarJar, who apparently has no function in the movie except to irritate a lot of the critics.
***Solid return of the franchise after 16 years, highlighted by Liam Neeson***

A Jedi Knight & his apprentice (Liam Neeson and Ewan McGregor) escape a blockade with their new Gungan friend, Jar Jar Binks, and the handmaiden of Queen Amidala (Natalie Portman). Upon damaging their vessel, they find sanctuary on a planet where they meet a slave boy, a gifted pilot and engineer, who may be the prophesied “Chosen One.” Meanwhile, the supposedly extinct Sith resurface, including Darth Maul (Ray Park).

"Star Wars: Episode 1 – The Phantom Menace" (1999) is the fourth Star Wars film and the first of the prequel trilogy, followed by “Attack of the Clones” (2002) and “Return of the Sith” (2005). It marked writer/director George Lucas’ return to the popular franchise after 16 years, the previous film being “Return of the Jedi” (1983).

Star Wars is fantasy packaged as science-fiction or “space fantasy” whereas Star Trek is dramatic science-fiction in a space-travel context. I’ve always preferred the latter because it’s more adult-oriented, but I don’t mind a Star Wars flick now and then and “The Phantom Menace” is entertaining enough.

There’s a new cast of characters along with a young version of Obi-Wan Kenobi and R2D2, C-3PO, Yoda and Jabba. Liam Neeson stands tall as the no-nonsense Qui-Gon Jinn, McGregor is solid and Portman is attractive at the young age of 17. Also notable is Hugh Quarshie as Captain Panaka.

I didn’t mind the loathed Jar Jar Binks and I enjoyed the wondrous underwater sequence and the thrilling podrace in the first half (even though the mother allowing her son to enter the life-and-death contest is unlikely, not to mention the Jedi knights condoning it). Unfortunately the climax comes down to the clichéd “big battle sequence” and it’s predictable who’s gonna die in the corresponding duel. Yawn. Still, “The Phantom Menace” is all-around entertaining if you have a taste for Star Wars.

The film runs 2 hours, 16 minutes.

GRADE: B-/B
This is a terrible, terrible movie. I'm amazed that A) Lucas made a film like this, knowing how beloved the franchise was, and B) that the franchise remained so beloved after this had come out... It introduced Maul though, who is my favourite _Star Wars_ character. So points on that one.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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